Analysis of Melville's 'Bartleby, the Scrivener'

Herman Melville's "Bartleby, the Scrivener" is a novella that continues to provoke discussion and interpretation decades after its publication. Its power lies in its enigmatic protagonist and its subtle yet potent critique of 19th-century American society, particularly its burgeoning capitalist ethos and the alienation it could foster. This analysis delves into the story's structure, thematic depth, and the complex relationship between Bartleby and his narrator, offering a framework for understanding its enduring relevance.

Narrative Structure and Pacing

The story unfolds through the first-person narration of a Wall Street lawyer, a seemingly conventional and pragmatic individual. This narrative choice is critical. It allows Melville to filter Bartleby’s peculiar behavior through the lens of a man who represents societal norms and expectations. The pacing is deliberate, mirroring the narrator’s gradual realization of Bartleby’s strangeness and the increasing disruption he causes. Melville builds suspense not through overt action, but through the escalating quietude of Bartleby’s refusals. The early sections establish the office environment and Bartleby’s initial utility, making his subsequent withdrawal all the more striking. The narrative structure effectively highlights the narrator’s confusion and his inability to categorize or control Bartleby within his established worldview. The story’s progression from Bartleby’s initial refusal to proofread to his eventual occupation of the office hallway and his death in the Tombs charts a descent into existential isolation, framed by the narrator’s increasingly desperate attempts to understand and manage the situation.

Thesis: Bartleby's Passive Resistance as a Critique of Societal Alienation

The central argument of this analysis posits that Bartleby’s pervasive passive resistance, epitomized by his repeated phrase "I would prefer not to," functions as a profound critique of the alienating forces inherent in 19th-century American capitalism and the broader human condition. Bartleby’s refusal to engage in prescribed activities, his withdrawal from social interaction, and his ultimate embrace of inertia reveal the dehumanizing potential of a society prioritizing productivity and conformity over individual autonomy and existential meaning. The narrator’s inability to comprehend or effectively respond to Bartleby underscores the limitations of conventional logic and social structures when confronted with profound existential despair or deliberate non-compliance.

Evidence and Textual Support

Melville meticulously embeds evidence for Bartleby’s critique throughout the narrative. Bartleby’s initial employment is presented as a positive development for the narrator, who values his speed and accuracy. This makes his subsequent refusal to proofread, a task directly related to his core function, particularly jarring. The narrator’s internal monologue reveals his struggle: "I was not altogether without a suspicion that Bartleby was a man of an unworldly character, and I was not without a hope that he might be a man who, if he had any peculiar notions, would not be apt to bring them to bear upon the business in hand." This quote demonstrates the narrator’s attempt to compartmentalize Bartleby, to believe his oddities won’t interfere with work. Bartleby’s physical transformation—from a neat scrivener to a figure who “lived, and, it might seem, subsisted entirely on ginger-nuts” and occupied the “dead-wall” space—serves as visual evidence of his increasing detachment. His refusal to leave the office, even when explicitly asked, and his eventual death in the Tombs, a symbol of societal neglect and confinement, are powerful textual anchors for the theme of alienation. The narrator’s final lament, "Ah Bartleby! Ah humanity!", encapsulates the story’s broad implications, suggesting Bartleby’s plight is not an isolated incident but a reflection of universal human struggles and societal failings.

Organization and Thematic Development

The novella is logically organized, moving from the introduction of Bartleby and his initial oddities to the escalating disruptions and the narrator's increasing bewilderment. Melville skillfully develops themes of alienation, passive resistance, and the limitations of capitalist structures. The office setting itself becomes a microcosm of society, where Bartleby’s non-conformity stands in stark contrast to the pursuit of profit and efficiency. The narrator’s attempts to resolve the "Bartleby problem"—offering him food, suggesting he move, appealing to the police—are organized to show the ineffectiveness of conventional solutions. Each failed attempt deepens the sense of Bartleby’s isolation and the narrator’s helplessness. The story’s conclusion, with Bartleby’s death and the narrator’s final reflection, provides a thematic resolution by emphasizing the unresolved nature of human alienation and societal responsibility.

Tone and Style

Melville adopts a tone that is at once detached, ironic, and subtly sympathetic. The narrator’s voice is generally measured and pragmatic, reflecting his professional background. However, as Bartleby’s behavior becomes more extreme, the narrator’s tone shifts to one of bewilderment, frustration, and eventually, a weary resignation. This shift is crucial; it allows the reader to experience the unsettling nature of Bartleby’s resistance through the eyes of someone trying to maintain normalcy. The prose is precise and often employs legalistic or business-oriented language, which contrasts sharply with Bartleby’s existential pronouncements. This stylistic choice underscores the clash between the rational, transactional world of Wall Street and Bartleby’s irrational, perhaps deeply rational, withdrawal from it. The ambiguity surrounding Bartleby’s motivations contributes to the story’s unsettling atmosphere, preventing easy categorization and forcing readers to confront uncomfortable questions about human agency and societal pressures.

Revision Opportunities and Further Exploration

When revising an essay on "Bartleby, the Scrivener," consider the following: First, ensure your thesis is sharp and arguable, moving beyond a simple summary of events. For instance, instead of stating 'Bartleby refuses to work,' a stronger thesis might explore why this refusal is significant in a capitalist context. Second, check that your textual evidence is specific and well-integrated. Are you quoting directly and explaining how each quote supports your point, or are you merely dropping in sentences? Third, examine your analysis of the narrator. Is he presented solely as a victim of Bartleby, or is his own complicity and self-interest adequately explored? Finally, consider the broader implications. Does your essay touch upon the story’s relevance to contemporary issues of work, mental health, or social alienation? Expanding on these areas can elevate an essay from competent to exceptional.

  • Does the essay clearly state a thesis about Bartleby's significance?
  • Is the thesis supported by specific textual evidence (quotes, examples)?
  • Does the analysis explore the narrator's role and perspective?
  • Are themes like alienation, capitalism, and passive resistance discussed?
  • Is the narrative structure and pacing considered?
  • Is the tone of the story accurately described?
  • Does the essay offer a concluding thought on the story's meaning or relevance?
Example of Analyzing Bartleby's Language

Bartleby's iconic phrase, "I would prefer not to," is more than a simple refusal; it’s a linguistic strategy that disarms conventional modes of authority. Unlike an outright 'no,' which invites argument or confrontation, 'prefer not to' introduces a subtle subjectivity that the narrator finds impossible to directly counter. The narrator’s attempts to reframe the situation—'But, Bartleby, you do not mean to say you refuse to do it?'—are met with the same placid, unyielding preference. This linguistic politeness masks a radical act of non-compliance, highlighting how language itself can be a tool of resistance when detached from the expectation of obedience. The effectiveness of this phrase lies in its vagueness; it offers no reason, no justification, only a statement of internal inclination that defies external logic or command. This linguistic minimalism forces the narrator into a position of attempting to impose meaning and obligation onto a subject who actively resists such imposition, thereby exposing the inherent power dynamics and potential futility of command within the office environment.