Understanding John Guare's 'Six Degrees of Separation'

John Guare's 'Six Degrees of Separation' is a seminal work of contemporary American theatre, celebrated for its sharp wit, incisive social commentary, and innovative dramatic structure. Premiering in 1990, the play draws inspiration from a real-life incident where a young man, posing as the son of Sidney Poitier, conned several wealthy New Yorkers. Guare transforms this anecdote into a profound exploration of identity, class, deception, and the pervasive myth of universal interconnectedness. The play's enduring appeal lies in its ability to provoke thought about the stories we tell, the masks we wear, and the often-fragile nature of human relationships in a society increasingly defined by superficiality and aspiration.

Analysis of Key Thematic Elements

The central theme of 'Six Degrees of Separation' is, predictably, the concept of interconnectedness, but Guare uses it less as a scientific theory and more as a social and psychological phenomenon. Paul, the protagonist, masterfully exploits this idea, weaving himself into the lives of the wealthy Kittredge family by fabricating connections and appealing to their desire for cultural capital and social novelty. He presents himself as a bridge to a world of celebrity and artistic prestige, a world the Kittredges desperately wish to inhabit more fully. This exploitation highlights a society where perceived connections and social maneuvering are often valued over genuine human interaction. The play also delves deeply into the theme of identity. Paul's entire existence is a performance, a carefully constructed persona designed to elicit sympathy and gain access. His success forces the audience to question what constitutes a 'real' identity versus a fabricated one, and how easily the lines can blur. The wealthy characters, too, grapple with their own identities, often defined by their possessions, their social circles, and their adherence to certain cultural codes. Their interactions with Paul reveal their own insecurities and their longing for something more authentic, even as they are simultaneously repelled by his deceit.

Character Dynamics and Development

The play's narrative is largely filtered through the experiences and recollections of Flan and Ouisa Kittredge, the wealthy art dealers who become Paul's primary targets. Flan, pragmatic and concerned with appearances, initially sees Paul as a potentially useful connection, a way to enhance his own social standing. His reaction to Paul's exposure is marked by embarrassment and a desire to quickly distance himself from the scandal, revealing a man whose identity is deeply tied to his social and professional reputation. Ouisa, his wife, offers a contrasting perspective. She is more introspective, more susceptible to Paul's charm, and develops a complex emotional attachment to him. She sees in Paul a reflection of her own dissatisfaction with the superficiality of her life and a spark of genuine, albeit misguided, vitality. Her journey is one of initial fascination, then disillusionment, and finally, a profound understanding of the shared humanity that connects them all. Paul himself remains an enigmatic figure. While his actions are deceitful, Guare presents him with a degree of sympathy, portraying him as a product of his environment, desperate for recognition and belonging. His ability to adapt and charm suggests a keen intelligence and a deep understanding of human psychology, making him a compelling, if morally ambiguous, central character.

Dramatic Structure and Narrative Techniques

Guare's structural choices are integral to the play's thematic resonance. 'Six Degrees of Separation' eschews a traditional linear plot in favor of a fragmented, non-linear narrative. The story unfolds through a series of interwoven anecdotes and recollections, often presented directly to the audience by the characters themselves. This technique serves multiple purposes. Firstly, it mirrors the play's central theme of interconnectedness, suggesting that events and lives are not isolated but are part of a larger, complex web. Secondly, it emphasizes the subjective nature of truth and memory. Each character recounts events from their own perspective, highlighting how personal biases, desires, and agendas shape our understanding of reality. The constant shifting of time and perspective creates a sense of unease and forces the audience to actively participate in constructing the narrative, questioning the reliability of each speaker. The play's structure also incorporates elements of the "play within a play" device, particularly through Paul's fabricated stories and the characters' discussions about theatre and performance, further blurring the lines between reality and artifice.

Tone and Social Commentary

The tone of 'Six Degrees of Separation' is a sophisticated blend of dark humor, biting satire, and poignant reflection. Guare uses sharp, witty dialogue to expose the pretensions and hypocrisies of New York's upper crust. The characters' conversations are often filled with references to art, culture, and social maneuvering, revealing a world where status and appearance are paramount. Yet, beneath the polished surface, there is a palpable sense of ennui and a desperate search for meaning. The play's social commentary is incisive, critiquing a society that values superficial connections over genuine empathy and where wealth and status can insulate individuals from the consequences of their actions, or, conversely, make them vulnerable to manipulation. The humor, often derived from the characters' absurd situations and their self-important pronouncements, serves to underscore the underlying anxieties and the moral vacuum that Paul exploits. Despite the satire, the play also possesses moments of profound emotional depth, particularly in Ouisa's evolving understanding of Paul and her reflections on the nature of human connection.

Revision and Refinement Opportunities

When analyzing 'Six Degrees of Separation,' students might consider several avenues for deeper exploration or revision. One area is the play's ending. While Ouisa's final monologue offers a sense of resolution and philosophical insight, one could examine whether this resolution feels earned or if it slightly softens the play's critique of societal failings. Another point for revision might involve a closer look at the supporting characters, such as Flan's children, Tess and Larkin. How do their experiences with Paul and their reactions to the ensuing scandal further illuminate the themes of the play? Are their roles sufficiently developed, or could their perspectives offer additional layers to the analysis? Furthermore, a comparative analysis could be a fruitful revision strategy, contrasting Guare's play with other works that explore themes of deception, identity, or social class, such as Tennessee Williams's 'A Streetcar Named Desire' or Arthur Miller's 'Death of a Salesman,' to highlight Guare's unique contributions to the American dramatic canon. Examining the play's reception and critical history could also provide valuable context for understanding its impact and its place in theatrical discourse.

  • Identify the core themes: identity, class, deception, interconnectedness.
  • Analyze the motivations and development of Paul, Flan, and Ouisa.
  • Examine the impact of the non-linear narrative structure.
  • Evaluate the play's use of satire and dark humor.
  • Consider the play's commentary on late 20th-century American society.
  • Discuss the significance of the 'six degrees of separation' concept.
  • Assess the reliability of the narrators.
  • Explore the play's thematic resolution, particularly Ouisa's final monologue.
Examining Paul's Performance

Paul's success as a con artist in 'Six Degrees of Separation' is not merely a matter of luck or circumstance; it is a testament to his profound understanding of human psychology and social dynamics. He doesn't just lie; he crafts narratives that resonate with his targets' deepest desires and insecurities. When he encounters Flan and Ouisa Kittredge, he doesn't simply claim to be Sidney Poitier's son; he imbues this claim with specific, believable details – the supposed injury, the need for refuge, the shared appreciation for art. He taps into Flan's ambition by offering access to celebrity and Ouisa's ennui by presenting himself as a bearer of exciting, unconventional stories. His performance is so convincing because it plays upon the audience's (and the characters') own yearning for connection and meaning in a world that often feels fragmented and superficial. The play forces us to consider how much of our own social interaction is a form of performance, and how readily we accept crafted identities when they align with our expectations or desires. Paul's ability to move between different social circles, adapting his persona to suit each encounter, highlights the performative nature of identity itself, suggesting that perhaps everyone, to some degree, is playing a role.